Graphic Republic Fashion Shoot Invitation

Graphic Republic
Graphic Republic Photography Studio would like to invite you for a fashion shoot on August 5, 2007, from 3:00PM onwards (4-5hours shoot).

Wardrobes will be provided by student fashion designer from DLSU-CSB.

Their will be a P1,000 participation fee for covering the expenses of the models, makeup, and the use of studio facilities.

Plus Jeffrey and JC will setup different lighting techniques and will teach how to properly light your subject (lighting techniques).

The models for the shoot are:
Kathy Caraan and Sarah Polverini

Graphic Republic Photography Sutdio
Unit 1809 Cityland Herrera
98 Rufino cor. Valero St.,
Salcedo Village Makati City
Location Map

To enlist, please  contact us through:
Jeffrey: 09228127284
JC: 09178038688 / 09223942332
Office Telefax: 8138191

Basic Lighting Workshop for Amateur Photographers by Charles Penacerrada (August 2, 2007)

Camera Shake

Basic Lighting Workshop for Amateur Photographers (Batch 7)

by

Charles Penacerrada

August 2, 2007 – 7pm

Camera Shake Studio, Fun Ranch, Ortigas

1 day, 4-5 hours Basic Lighting Workshop for Amateur Photographers

Scope

Basic Lighting

  • Broad
  • Short

Classic Lighting

  • Rembrandt
    • Broad Rembrandt
    • Short Rembrandt
  • Loop
    • Broad Loop
    • Short Loop
  • Butterfly
  • Side lighting
    • Side by side
    • 3 o’clock lighting

Light Ratios

Recently Added Topics:

  • Light Modifiers
  • Metering of Light

Workshop Fee: PhP 1,500.00

Training Fee Includes:

  1. Model
  2. Makeup artist
  3. Stylist
  4. Studio

Maximum of 10 participants per workshop

Some students of Charles:
Jason Lo
http://www.flickr.com/photos/jason_lo/

Maan Palmiery
http://www.flickr.com/photos/palmiery/

Cholo dela Vega
http://cholodelavega.multiply.com/

Edlin Roquel
http://www.flickr.com/photos/edlinroguel/

Christopher Handog
http://www.flickr.com/photos/pheryhandog/

Workshop schedule; every Thursday in Camera Shake Studio, Fun Ranch, Ortigas
Charles Penacerrada

http://max-stone.deviantart.com
09163148654
09223321816
3965638

Visit the Canon Virtual Lens Plant

Visit Canon’s Virtual Lens Plant and join the tour as they take you through the manufacturing process of assembling a Canon EF 500mm f/4L IS USM.

 


The tour is comprised of three parts which starts with the Material Processing Process followed by the Lens Machining Process and finally the Lens Assembly Process.

 

While you are at the Virtual Lens Plant, you might as well drop by the Canon’s Lens Gallery as they explain the various features of the different types of lenses used to assemble various Canon lenses.

 

Check out Canon’s Virtual Lens Plant at the Canon Museum

Edwin Loyola – Wacom Artist of the Month July 2007

Edwin Loyola - Wacom Artist of the Month July 2007 

Edwin Loyola is an accomplished, self-taught Philippine photographer born in the province of Pangasinan, currently living in the Santa Ana district of Manila. Before he started his full-time professional career, he used to work as a clerk in a life insurance company Philamlife. It was there that his photographic talent was discovered; to this day he holds regular exhibitions in the company’s lobby.

Edwin has entered countless photographic competitions. His photos have won prizes and distinctions in over 30 contests – some sponsored by big, global brands such as Kodak, Adobe, Epson or the National Geographic Channel; others by on-line services such as PhotoPoint.com or RitzCamera.com. The list includes not only global, but also national and local competitions, such as The 1st IdN Club Philippines Extreme Digital Explosion 07 competition, the Soul of Makati competition or Hundred Islands On-the-spot Photo Competition. A full list of his impressive achievements can be found on Edwin’s website.

Currently, Edwin is making a living from digital photography, but also lay-outing, graphic design and advertising. He has a 12-year old son and is an active blogger and participant in on-line communities. His weblog (also nominated for several awards) can be found under http://edwinloyola.multiply.com.

Wacom Interview with Edwin Loyola by Pawel Pohl

Can you tell us how you discovered your passion for photography?

My interest in photography is basically instinctive. I really like taking pictures. I’ve tried painting using oil and watercolor but I kept on going back to photography.

What does your professional life look like now? What are your plans for the future?

As of now, I’m happy with my work as freelance artist/photographer, my clients still like my style. I’m planning to go to the US and attend some photo workshops to improve my skills.

How do you see photography? Is it an art or a job?

I treat photography as an art, not something that may be used to earn money. In every image I create, I want to satisfy my eyes and my heart.

You seem to favor certain themes – children, landscapes, still life. Can you tell us about those and other motives? What do you like to photograph most, and why?

I love still life! I want to create beautiful images from ordinary things, things that are normally ignored by people. And I love informal children portraits–their candid and sweet smiles and their soulful eyes. I’m not good in landscape photography, but I’m trying hard to improve it!

Would you say your art is strongly connected to Philippines, or do you feel it’s detached and/or universal?

It’s partly connected to my country, but when I create my images I want to have a universal appeal – a picture that can communicate without the use of language, thereby crossing language barriers.

Your web album is entitled “The art of Available Light”. Are you particularly attracted to certain photographing techniques?

90% of my works use available light. I love its natural and dramatic effect. I find joy shooting an object from various angles and using available lighting. I prefer to shoot ordinary things like shells, stones, leaves, cola chalk, and even cotton buds. Things that are too common to be noticed.

One object can be made to look different from five angles. But thanks to digital photography, costs have been minimal.

My images are mostly experimental and shot spontaneously. There is no pre-planning. The concepts form inside my head during the actual photo shoot.

What kind of equipment do you use?

As of now I’m using a Canon DSLR and some lenses, my favorite lens is my 50 mm.

You enter a lot of contests – with great success. What role do they have for you?

Competition is simply a test!

You are very active in photographic communities – what are your influences? Do you admire any particular photographers?

Ansel Adams for his dramatic black and white images! Locally, Chie Zamora, Rey Dalmacio, Eduviges Huang and Atty. Eli, Miranda who shared their talents and support when I was still new to photography.

What is your approach to artistic education? We heard that when reading books about photography, you cover up the illustrations – why is that?

It helps you to create your own style, because you don’t pattern your images after others’. You just learn the theories behind capturing images and make it on your own.

Lastly, what advice would you give to an aspiring photographer?

Get out of the box. Break the rules! Achieve the ability to see things from a different perspective. It is not only about choosing a subject and shooting it; it is about a particular sensitivity, awareness, even a consciousness for scale, balance, proportion, and all the other elements of art that makes photographs art and not mere photos.

Check out the complete article at the Wacom Community – Pro Corner – Featured Artist of the Month (July 2007).

ILFORD PHOTO SFX 200 Photographic Competition 2007

Ilford SFX 200 Photo Competition 07

ILFORD PHOTO has a history of great photography competitions — and the latest is the ILFORD SFX 200.

ILFORD SFX 200 Photographic Competition 2007 is open to all amateur photographers and is a competition to demonstrate the creative usage of ILFORD SFX 200 film.

Entries must be shot on ILFORD SFX 200 film and printed on ILFORD black and white photographic paper.

Please note that the ILFORD SFX 200 film must be used with a suitable filter to obtain the unusual creative tones.

ILFORD SFX 200 is a unique ISO 200/24º black and white film that offers the creative photographer opportunities not available with conventional black and white films. ILFORD SFX 200 has an advanced emulsion with extended red sensitivity which allows the use of filters ranging from yellow to deep red. This combination will produce images with dramatic and unusual tonal reproduction.

When used with a red filter on the camera lens, blue skies becomes almost black and most vegetation virtually white. Yellow, orange and light red filters will produce images of equal impact and appeal.
Closing date for entries is 31st August 2007. Winners will be announced by 28th September 2007.

Prizes will be awarded as follows:

1ST PRIZE – Professionally framed winning print plus £200 ILFORD Photo products
2ND PRIZE – £100 ILFORD Photo products
3RD PRIZE – £50 ILFORD Photo products

ILFORD PHOTO SFX 200 COMPETITION 2007 – RULES

  1. All entries must be shot with ILFORD SFX 200 film.
  2. All entries must be printed on ILFORD black and white photographic paper, un-mounted and no larger than 8 x 10 inches.
  3. All entries must have an official Entry Form attached to the back of each print. (Photocopies of the Entry Form will be permitted).
  4. Do not include negatives with your entry.
  5. Include Self Addressed, Stamped envelope if prints are to be returned.
  6. Entries must be sent to ILFORD PHOTO SFX 200 Competition 2007, HARMAN technology Limited, Ilford Way, Mobberley, Cheshire, WA167JL, England.
  7. Entries must be received by 31st August 2007.
  8. Entrants agree that ILFORD PHOTO reserves the right to reproduce winning prints on ILFORD PHOTO boxes and envelopes of photographic paper, and for promotional purposes in both printed and electronic forms. Photographers retain all other rights.
  9. Photographers are responsible for obtaining any model release agreements, where applicable.
  10. Winning entries will be selected by a panel of judges including representatives of ILFORD PHOTO.
  11. Judges decisions are final.
  12. No correspondence will be entered into concerning entry to the competition.
  13. Winners will be announced on 28th September 2007.
  14. ILFORD PHOTO will make every effort to protect submissions and handle all entries with utmost care. ILFORD PHOTO is not responsible for damage, loss, or replacement. Entrants who desire to insure their work must make their own arrangements. Please pack your submissions carefully.
  15. The competition is open to amateur photographers only.

Grab a copy of the ILFORD Photo SFX 200 Competition Rules and Entry Form.

Advanced Photography Seminar by Jo Avila (August 2007)

Jo Avila Photography

Advanced Photography Seminar

by Jo Avila

August 8 – Composition & Lighting

August 15 – Composition & Lighting

August 22 – Composition & Lighting

August 29 – Composition & Lighting

 

All sessions shall be from 6:30pm-9:30pm.

 

All sessions will begin with case study discussions of certain shooting situations. All sessions will have a studio shooting session using various light sources and techniques. It is for this reason that the class is limited to a maximum of eight participants only.

 

Slot reservations are on a first come, first serve basis.

 

The seminar fee of P4, 500/participant is the total fee for all four sessions and is already inclusive of a certificate of attendance.

 

The seminar will be held at Unit 114, Gold Building, 15 Annapolis street, Greenhills, SJ.

You may register by sending an email to Jo Avila at pinakamagalingako@gmail.com or sms at (0917) 5305133.

PopPhoto 2007 Photographer of the Year – Marc Aviles

Pop Photo

The editors of Popular Photography & Imaging have named Marc Aviles from San Juan, Metro Manila, Philippines, the 2007 Photographer of the Year. He will receive the $5,000 cash prize and the prestigious title of “The Best Shooter on the Planet.”

The self-taught photographer, who is in his late 30s and works in the information-technology field, has been shooting for five years. This is his first time competing in a Popular Photography & Imaging contest. “I’ve been following the Photographer of the Year contest since the beginning,” he says, but I always missed the deadlines before.”

Aviles said that competing in this year’s Shoot-Out allowed him to exercise his imagination. “I find competitions very exciting because there’s a lot of great photographers out there and I’m learning a lot,” he says.

Marc Aviles

Check out the gallery of 2007 Photographer of the Year Marc Aviles’ work from all rounds of the competition.

The July 16-19 online Shoot-Out was the biggest in Pop Photo history. The hundreds of shooters in this intense, three-day competition came from all over the world, including Bosnia, Bangladesh, Russia, and Brazil. Thousands of photos were uploaded each day to the PopPhoto.com site as the photographers took on assignments ranging from the challenging to the bizarre (photograph a unicorn, anyone?).

After selecting more than 35 finalists, the editors compared each contestant’s body of work across all three assignments and narrowed it down further to a final few. The decision was difficult, as front-runners included Jodi Esplin from Spring Creek, NV, Matthew McKenzie from Foothill Ranch, CA, defending champ, 2006 Photographer of the Year Roberto Soares Gomes of Rio de Janeiro, Brazil, and 2005 Photographer of the Year, Michael Soo from Cupertino, CA.

Each shooter had his or her strong suit — “Esplin’s creative name construction was a stand-out from Assignment 1 (Your Name),” said one editor. “But her workplace documentary for Assignment 3 (the Creative Documentary), didn’t tell a complete story, and looked more like a well-executed environmental portrait.
The slick, high-fashion style of McKenzie’s work caught all of the judges’ eyes, but some felt his second assignment did not hold up to the others. Soo’s portrait for Assignment 2 (Rock, Paper, Scissors Portrait) was a clear favorite of the judges, and his other assignments were well executed, but didn’t exceed the judges’ expectations the way Aviles’ did.

It was Aviles’ versatility that won him the title. Each shot from all of the assignments demonstrated his technical ability and creative drive. One editor called the shot of his name created from sticks “spellbinding,” and the entire panel marveled at his pitch-perfect execution of Assignment 3′s documentary.

“Each of his five photos from Assignment 3 is technically excellent, visually engaging, and dramatic in their own way was a single photo,” remarked one judge, “and when combined, they tell a perfect visual narrative.”

“This year’s Shoot-Out was a terrific success,” says Popular Photography & Imaging’s Editor in Chief John Owens. “It was exciting to see so many talented photographers from all over the world compete so enthusiastically in all of the assignments.”

To see all of the finalists’ work, check out the finalist gallery, and to see photos that caught the judges eyes throughout the competition view the Best of gallery.

Here’s what we put the shooters through:

Day 1 Assignment: Use your first name in a photo creatively. You can find or create the letters any way you wish. Composites are fine, but you must capture them with a camera — no creating the letters with software.

Day 2 Assignment: Take a portrait of a person incorporating the three elements: rock, paper and scissors.

Day 3 Assignments: Capture a day in the life of any job (though not an office job) where you live. And, as a bonus assignment, photograph a unicorn.

Congrats Marc!

Source: PopPhoto.com

Thanks to Zymon Bumatay for the heads up.

Underwater Photography Issue 37

Underwater Photography Issue 37 

UwP is a FREE bi-monthly web based magazine published on or around the 1st of January, March, May, July, September and November. The magazine aims to give a platform for existing and new talent in underwater photography.

UwP Issue 37 is for July/Aug 2007 and contains 52 pages (approx 6 MB)

You have to subscribe with a valid e mail address to download the latest issues.

Grab a copy of Underwater Photography Issue # 37.

Pix Digital Imaging Contest 13

Pix Digital Imaging Contest 13

Pix Digital Imaging  Contest 13

Recognizing Excellence & Innovation in the use of Digital Imagaing

 

 Categories

  • Advertising Campaigns
  • Portraits / Celebs / Music
  • Travel / Lifestyle
  • Fashion / Beauty
  • Personal Work
  • New Talent (Students / Emerging Talent)

Contest Rules

WHO MAY ENTER: All readers of Photo District News except PDN employees and their families.

ENTERING THE CONTEST:
Professional and emerging professional photographers and photography students may submit images for consideration. An entry consists of a single image ($35 per image) or a series ($50 per series). We suggest that a series not exceed 10 images. Student entries ($20 per image) must be accompanied by a photocopy of entrant’s student I.D., or signature of instructor on the entry form. Individuals may pay to enter an unlimited amount of times.

ENTRY FEES:
$35 per image | $50 per series | Students $20 (signed by instructor)

Deadline: AUGUST 1st 2007*

*Late? Pay $10 per entry for an extended deadline of AUGUST 15th. All entries postmarked or received after August 1st will be charged an extended deadline fee of $10 per entry. If you are paying by check or money order, this fee must be included in the amount for your submission(s) to be considered.

SUBMISSION REQUIREMENTS:
ONLINE SUBMISSIONS: To enter your submissions electronically, please visit www.pixdigitalimagingcontest.com and register. Once the registration process is complete, you will receive an e-mail confirmation. Simply log in to the PIX Digital Imaging Web site to upload images from your computer. Images formatted in JPEG or TIFF measuring at least 1,000 pixels on their long dimension are preferred. Images may be color profiled in sRGB, Adobe-1998 or not color-managed. For more information on electronic submission guidelines, please contact John Gimenez at (646) 654-5792 or e-mail
jgimenez@pdnonline.com.

MAILED SUBMISSIONS: Entries must be submitted as a print or copyslide for judging. Also, provide a digital file for reproduction on a Mac-formatted CD-Rom Disk; at least a 5 x 7″ at 300 dpi, CMYK TIFF file. Submitted materials will not be returned. Photo District News is not responsible for the loss or damage of any entry. Submission of an entry acknowledges the right of PDN to use it for publication in the November 2007 issue exhibiting the PIX Digital Imaging Contest, PDNonline.com and exhibition and promotions related to PIX Digital Imaging Contest 18 months following the contest.

Download Mail Entry Form

Mail entries to PDN at the following address:
Pix Digital Photo Imaging Awards
Photo District News
770 Broadway, 7th Floor
New York, NY 10003

Please make entry fee checks payable to Photo District News.

SPECIFICATIONS: To qualify, photographs must be taken between August, 2006 and August 15, 2007.

JUDGING: Entries will be judged on the basis of creativity, photographic quality and effectiveness in expressing the contest theme. Winners will be published in the November 2007 issue of PDN.

CONSENT AGREEMENT: Submitted materials will not be returned. Photo District News is not responsible for the loss or damage of any entry. Submission of an entry to the contest automatically constitutes the contestant’s acceptance of all conditions set forth in the above rules. It also acknowledges the right of Photo District News to use the entry for publication in the November 2007 issue, PIX Digital live gallery, the PIX Digital Contest Web site and PDNonline.com Web site.

Basic Photography Seminar by Jo Avila (August 2007 Weeknights)

Jo Avila Photography

 Basic Photography Seminar

(Weeknight Sessions)

by Jo Avila

August 7 – Basic Theories and Principles of Photography
August 9 – Composition Techniques
August 14 – Basic Studio Lighting
August 16 – Basic Photoshop
August 21 – Basic Color Management and Guerilla Shooting Techniques

All sessions shall be from 6:30pm-9:30pm.

There are only fifteen (15) slots available.

The seminar fee of P3, 500/participant is the total fee for all five sessions. All participants will receive handouts and a certificate of attendance.

The seminar will be held at Unit 114, Gold Building, 15 Annapolis street, Greenhills, SJ.

You may register by sending an email to Jo Avila at pinakamagalingako@gmail.com or sms at (0917) 5305133.